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Betrayal, by Harold Pinter
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“One of the most essential artists produced by the twentieth century. Pinter’s work gets under our skin more than that of any living playwright.” —New York Times
Upon its premiere at the National Theatre, Betrayal was immediately recognized as a masterpiece. It won the Olivier Award for best new play, and has since been performed all around the world and made into an Academy Award-nominated film starring Jeremy Irons, Ben Kingsley, and Patricia Hodge. Betrayal begins with a meeting between adulterous lovers, Emma and Jerry, two years after their affair has ended. During the nine scenes of the play, we move back in time through the stages of their affair, ending in the house of Emma and her husband Robert, Jerry’s best friend.
“[Betrayal] deals with the shifting balance of power in triangular relationships, and with the pain of loss. . . . Pinter probes the corrosive nature of betrayal . . . a world where pain and loss are explored with poetic precision.” —Guardian
“Betrayal is an exquisite play, brilliantly simple in form and courageous in its search for a poetry that turns banality into a melancholy beauty.” —Newsweek
“There is hardly a line into which desire, pain, alarm, sorrow, rage or some
- Sales Rank: #406770 in Books
- Published on: 1994-01-07
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .30" w x 5.40" l, .34 pounds
- Binding: Paperback
- 144 pages
From the Back Cover
Betrayal is Pinter's latest full-length play since the enormous success of No Man's Land. The play begins in 1977, with a meeting between adulterous lovers, Emma and Jerry, two years after their affair has ended. During the nine scenes of the play, we move back in time, through the states of their affair, with the play ending in the house of Emma and Robert, her husband, who is Jerry's best friend.
About the Author
Harold Pinter was born in London in 1930. He lived with Antonia Fraser from 1975 and they married in 1980. In 1995 he won the David Cohen British Literature Prize, awarded for a lifetime's achievement in literature. In 1996 he was given the Laurence Olivier Award for a lifetime's achievement in theatre. In 2002 he was made a Companion of Honour for services to literature. In 2005 he was awarded the Nobel Prize for Literature and, in the same year, the Wilfred Owen Award for Poetry and the Franz Kafka Award (Prague). In 2006 he was awarded the Europe Theatre Prize and, in 2007, the highest French honour, the Legion d'honneur. He died in December 2008.
Most helpful customer reviews
1 of 1 people found the following review helpful.
A play that works well on the page
By Peter J. Orvetti
As an actor and theatergoer, I am unforgivably lacking in knowledge of Pinter -- this is the first and only of his plays that I've read, and I've seen only "Old Times" on stage. After both experiences, I want to learn (and see) more.
Some dialogue-driven plays do not work well on the page, especially if the conversation is clipped and oblique as it is here. But "Betrayal" flows well on the page, and it is easy to hear the characters' voices in your head as you proceed. These snippets of overheard conversation work well.
The story itself is fairly unremarkable. The cleverness of "Betrayal" is that Pinter tells the story of this affair backwards, so at the end we are experiencing the casual, friendly conversation between friends that, we as viewers or readers know, will lead to intimacy. At what point does a joke or a glance between just friends-so-far become something else?
0 of 0 people found the following review helpful.
Worth Reading/Worth Seeing
By golfer
This play was part of a book discussion group and a performance by an excellent local theater group. (Sacramento) I was reluctant to engage because of my earlier experiences with Pinter, were unsatisfactory. This is not the case today. "Betrayal" is an excellent story.
0 of 0 people found the following review helpful.
what could be better!
By Marlies Hensel
Pinter and words, what could be better!
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