Kamis, 25 April 2013

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A Good Man Is Hard to Find and Other Stories, by Flannery O'Connor

ONE OF THE GREATEST AMERICAN SHORT STORY COLLECTIONS

In 1955, with this short story collection, Flannery O'Connor firmly laid claim to her place as one of the most original and provocative writers of her generation. Steeped in a Southern Gothic tradition that would become synonymous with her name, these stories show O'Connor's unique, grotesque view of life-- infused with religious symbolism, haunted by apocalyptic possibility, sustained by the tragic comedy of human behavior, confronted by the necessity of salvation.

With these classic stories-- including "The Life You Save May Be Your Own," "Good Country People," "The Displaced Person," and seven other acclaimed tales-- O'Connor earned a permanent place in the hearts of American readers.

"Much savagery, compassion, farce, art, and truth have gone into these stories. O'Connor's characters are wholeheartedly horrible, and almost better than life. I find it hard to think of a funnier or more frightening writer." -- Robert Lowell

"In these stories the rural South is, for the first time, viewed by a writer who orthodoxy matches her talent. The results are revolutionary." -- The New York Times Book Review

Flannery O'Connor (1925-1964) was born in Savannah, Georgia. She earned her M.F.A. at the University of Iowa, but lived most of her life in the South, where she became an anomaly among post-World War II authors-- a Roman Catholic woman whose stated purpose was to reveal the mystery of God's grace in everyday life. Her work-- novels, short stories, letters, and criticism-- received a number of awards, including the National Book Award.

  • Sales Rank: #8244 in Books
  • Published on: 1977-08-23
  • Released on: 1977-08-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .73" w x 5.31" l,
  • Binding: Paperback
  • 276 pages

Review
With an keen eye for the dark side of human nature, an amazing ear for dialogue, and a necessary sense of irony, Flannery O'Conner exposes the underside of life in the rural south of the United States. One of the powers in her writing lies in her ability to make the vulnerability of one into that of many; another is her mastery of shifting "control" from character to character, making the outcome uncertain. Sexual and racial attitudes, poverty and riches, adolescence, old age, and being thirty-four which "wasn't any age at all" are only some of the issues touched on in this collection. When Ruby has to walk up the "steeple steps...[that]...reared up" as she climbed to her fourth floor apartment, we feel her pain as she "gripped the banister rail fiercely and heaved herself up another step..." Flannery O'Conner, a 1972 National Book Award winner, reminds us that none of the roles in our lives is stagnant and that wearing blinders takes away more than just a view. Through her stories we see that what we blind ourselves to is bound to appear again and again. -- For great reviews of books for girls, check out Let's Hear It for the Girls: 375 Great Books for Readers 2-14. -- From 500 Great Books by Women; review by Holly Smith

From the Back Cover

ONE OF THE GREATEST AMERICAN SHORT STORY COLLECTIONS

In 1955, with this short story collection, Flannery O'Connor firmly laid claim to her place as one of the most original and provocative writers of her generation. Steeped in a Southern Gothic tradition that would become synonymous with her name, these stories show O'Connor's unique, grotesque view of life--infused with religious symbolism, haunted by apocalyptic possibility, sustained by the tragic comedy of human behavior, confronted by the necessity of salvation.

Through these classic stories--including "The Life You Save May Be Your Own," "Good Country People," "The Displaced Person," and seven other acclaimed tales--O'Connor earned a permanent place in the hearts of American readers.

"Much savagery, compassion, farce, art, and truth have gone into these stories. O'Connor's characters are wholeheartedly horrible, and almost better than life. I find it hard to think of a funnier or more frightening writer." --Robert Lowell

"In these stories the rural South is, for the first time, viewed by a writer whose orthodoxy matches her talent. The results are revolutionary." --The New York Times Book Review

Flannery O'Connor (1925-1964) was born in Savannah, Georgia. She earned her MFA at the University of Iowa, but lived most of her life in the South, where she became an anomaly among post�€“World War II authors--a Roman Catholic woman whose stated purpose was to reveal the mystery of God's grace in everyday life. Her work--novels, short stories, letters, and criticism--received a number of awards, including the National Book Award.

About the Author
Flannery O'Connor (1925-1964) was born in Savannah, Georgia. She earned her MFA at the University of Iowa, but lived most of her life in the South, where she became an anomaly among post�€“World War II authors--a Roman Catholic woman whose stated purpose was to reveal the mystery of God's grace in everyday life. Her work--novels, short stories, letters, and criticism--received a number of awards, including the National Book Award.

Most helpful customer reviews

122 of 126 people found the following review helpful.
Uncovers the gross underbelly of the Southern mystique
By Linda Linguvic
The ten short stories in this 1955 collection by Flannery O'Connor expose a grotesque underbelly of the Southern mystique that go far beyond their seemingly simple surface plots. Ms. O'Connor has a flare for dialog as well as a primal understanding of the darkness in people's souls. All her characters have a relationship with God and she combines Christian imagery, an apocalyptic vision of life and a strong element of cruelty. And yet, there is a deeply human element that gives me the shivers because it exposes truths I'd rather not see.
I could tell from the very beginning of each story that something ominous was going to happen. I didn't know when, I didn't know how, and I didn't know exactly what it would be. Always, I was surprised. And yet, when I thought of it later, each story could have gone no other way. All of them had a sad or tragic ending, although some were more awful than others. What keeps the narrative exciting though is a way she has of suddenly disappearing the storyline and taking it up in another place, leaving just enough information to spark the imagination. Then, when I think I have it all figured out, things change again.
Ms. O'Connor writes in simple startling sentences. And most of the stories are no more than 20 or 30 pages long. I found it hard to read one story right after the other however. Each one was so thought provoking that, even though I felt a great deal of discomfort, I wanted to stay with each just a little bit longer. That's because they move much too fast and are too intriguing to stop. Later, when the initial shock of the story is over, is the time to work it out philosophically. And it is then that I could appreciate the mastery of her craft.
This is a truly fine book and I unquestionably give it a high recommendation. It is certainly not for everyone however. These stories haunt uncomfortably. But those willing to explore the dark side of human nature in this small work of art will love it.

59 of 60 people found the following review helpful.
Ten weird, surprising, tense, comical, and often unforgettable stories
By D. Cloyce Smith
A family on vacation encounters a cold-blooded gang, a gullible and naive housewife is struck by a mysterious (but hilariously common) "illness," a 104-year-old Civil War veteran is a featured guest at his 62-year-old daughter's high school graduation--each of O'Connor's stories portray characters in improbable, bizarre, and ultimately harrowing situations. These tales are weird, surprising, tense, comical, and often unforgettable--but what exactly do they all mean?

O'Connor was often frustrated by the sense that readers and reviewers misunderstood both the intents and the themes of her stories. In her first letter to a fan from Atlanta who became a frequent correspondent, she complained that "she was mighty tired of reading reviews that call 'A Good Man' brutal and sarcastic" and that "when I see these stories described as horror stories I am always amused because the reviewer has hold of the wrong horror."

I think she sells herself short with this assessment, however. Her stories are brutal, they certainly can be sarcastic--and the fact that readers confuse the horror is confirmation of the ambiguous and harrowing (and, yes, Gothic) underworld her characters inhabit. The reason her stories are classics of the form--and the ten stories in this collection are among the best I've ever read--is not only because they are creepy and grotesque, or because she is the master of the ominous set-up and the unexpected ending, but also because after you've found out what happened you'll probably lie awake wondering why it happened.

"Christian realism" was how O'Connor described her spiritual stance; "I write the way I do because (not though) I am a Catholic. . . . I am a Catholic peculiarly possessed of the modern consciousness." Decades of critics have argued over the theological underpinnings of her fiction, but an assessment by a fellow author named George Clay helped me make sense of her themes--and the author herself approvingly summarized his remarks in her own correspondence: "[Clay's] interesting comment was that the best of my work sounded like the Old Testament would sound if it were being written today--in as much (partly) as the character's relation is directly with God rather than with other people's." It's not hard to find the ghosts of Job, Ruth, Samson, Esther, Isaac, Daniel, and others in all of her stories.

Whether these echoes make for good theology will depend on the reader's own spiritual inclinations--but they certainly make good reading. My favorite piece in this collection is "Good Country People," probably O'Connor's most famous (excepting the title story). Describing a lonely woman with an artificial leg who is seduced by a traveling Bible salesman, the story veers into an inexplicable climax that is both devastating and melancholy. And those two words pretty much sum up any of the stories you'll find here.

28 of 30 people found the following review helpful.
Classic American Fiction Straight from the Bible Belt
By Crazy Fox
The ten short stories in this collection are definitely masterpieces. Neither too long or too short, the stories suggest whole worlds, entire lives (and deaths) with just the right number of verbal brushstrokes. Never preachy or self-righteous, they are yet infused with a deep, complex spirituality that seems to consist of an eccentric and compelling hybrid of Roman Catholicism's quiet mysticism and Southern Protestantism's revivalism and rigor. That said, this is not "chicken soup for the soul"...pretty much every story has a dark edge, and in most of them the author gets you with this impending sense of dread that things are going to go to heck in a hand basket, the only question is how (this makes the book awfully hard to put down, by the way). And she has an incredible talent of capturing the rhythms and characteristic expressions of Southern English without too much Mark Twain twang. In short, this is hands down a classic of American literature.

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Senin, 22 April 2013

[M330.Ebook] Ebook National Geographic InfographicsFrom Taschen

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National Geographic InfographicsFrom Taschen

A history of knowledge
The best infographics from the National Geographic archives

Back in the days when the information age was a distant dream and the world a more mysterious place, National Geographic began its mission to reveal the wonders of history, popular science, and culture to eager audiences around the globe. Since that 1888 launch, the world has changed; empires have risen and crumbled and a galaxy of information is today only the click of a mouse away. But National Geographic endures; its calm, authoritative voice is respected as ever amid the surfeit of data in our daily lives.

In this new anthology, TASCHEN and National Geographic gather the magazine’s best infographics of the past 128 years. Through seven sections–History, The Planet, Being Human, Animal World, World of Plants, Science and Technology, and Space–we encounter the rise and fall of the Roman Empire, the mysterious origins of the Easter Island statues, Cleopatra’s Alexandria and a history of Hawaiian surfboarding, all distilled in expert, accessible graphic form. We discover how our genetic patterns have been pieced together over the years or how hip-hop emerged as a cultural heavyweight; we get to grips with global warming, and explore our ever-expanding study of an ever-expanding universe.

With an essay by Nigel Holmes, charting the evolution of National Geographic over the decades and its pioneering use of graphics, as well as four fold-outs mimicking original pull-outs or inserts in the magazine, the book stands as a defining record of one of the world’s best-known publications as much as it is a beautifully presented repository of discovery and learning. Visualizing the histories, facts, and figures that make up our planet and our species, National Geographic Infographics is as true to the magazine’s original mission as ever–an anchor of knowledge and a wunderkammer of wisdom.

Text in English, French, and German

  • Sales Rank: #33138 in Books
  • Published on: 2016-12-15
  • Original language: English, French, German
  • Dimensions: 15.00" h x 2.00" w x 10.00" l, .0 pounds
  • Binding: Hardcover
  • 480 pages

Review
“Fact-packed… The hefty book collects some of the best of the magazine’s 128 years of infographics.” (Mental Floss, New York)

“Some of the most dazzling examples [of infographics] from the past 128 years.” (The Sun, London)

“One stunning book.” (Wired.com)

About the Author
Julius Wiedemann studied graphic design and marketing, and was an art editor for digital and design magazines in Tokyo. His many TASCHEN titles include Illustration Now!, Logo Design, Jazz Covers and Information Graphics.

Most helpful customer reviews

8 of 9 people found the following review helpful.
Huge beautiful book tracing the design history of one of the world's favorite magazines.
By Michael Rosenquest
Fantastic book, and it's huge! I just received my copy late last week, so I haven't read through this cover-to-cover yet, but I'm very pleased so far. This book is much larger than I had expected at about 10" x 15", making it almost double the size of the magazine. I think this would make a great gift for anyone who is interested in information design, graphic design, or enthusiastic about National Geographic. As a design nerd, it's interesting to see the evolution of design style over time, and see a variety of ways to convey information visually.

Being so large and a hardcover, the book is rather hefty. I'd be interested in picking up a second copy in softcover, if it were a bit smaller. I think it would make for a very handy reference book for anyone who works in design.

2 of 2 people found the following review helpful.
This is a book to pass to the next generation with pride and joy!
By Ronald F.
Though expensive this book is a rare explosion of brilliantly conceived information in a book that you will want to read and look at over and over again. It is a piece of art and reference for learning and knowing. I hope it is the beginning of a way to communicate important facts and understandings for publications yet to come.

1 of 1 people found the following review helpful.
Amazing book����
By Carlos A Hopff
Amazing book��� It's wonderfull to read and look all the infographics; every page is music for the eyes. You need hours in every page to appreciate all the information and the visual images. Superb and magnificent.

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Sabtu, 20 April 2013

[E284.Ebook] PDF Ebook The End of Alice, by A. M. Homes

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The End of Alice, by A. M. Homes

The End of Alice treads the thin line between the evil and the everyday and caused a major controversy when it was first published.

The story centres on a disturbing correspondence between the narrator, a middle-aged killer serving his twenty-third year in prison; and his slang-speaking, sweet-seeming admirer, a nineteen-year-old girl intent on seducing a young neighbourhood boy.

Slowly, through these letters, the narrator's dangerous character emerges.

  • Sales Rank: #140565 in Audible
  • Published on: 2015-05-07
  • Released on: 2015-05-07
  • Format: Unabridged
  • Original language: English
  • Running time: 538 minutes

Most helpful customer reviews

60 of 64 people found the following review helpful.
Beautifully disturbing
By David J. Loftus
I am tempted to call this a beautiful book in the same way that I feel the movie of "The Loved One," a very black-humored farce about funerals and death, is beautiful: It masterfully accomplishes what it sets out to do.
In rich, imaginative prose, Homes tells a compelling tale with all the fascination of a fatal car wreck and a cobra preparing to strike. If you found Nabokov's _Lolita_ disturbing, if you couldn't stomach Ellis's skillful but satirical and cold _American Psycho_, stay away from this book. It has both the warmth and tenderness of the former, and the in-your-face graphicness of the latter (probably even more in-your-face because of the warmth and tenderness). People have referred to the pedophilia, masturbation, and murder; don't forget homosexual prison sex and rape ... and how do you feel about saving scabs in a drawer for chewing and sucking on later?
Some of the other Amazon reviews here have been utterly hilarious: Homes should include them in splash pages of subsequent editions. There are the usual encomia and expressions of disgust, but "Billy Graham could just as well have written this"? uhum37 also complains that "every character remains profoundly moral" -- another judgment I cannot understand for the life of me, but I will nevertheless respond that the characters are telling their own stories (the 19-year-old's is additionally filtered through the sensibility of the narrator, for the most part -- and of course they are apt to regard themselves as moral.
Reviewers also ask the wrong questions. "Does this story need to be told?" one reader queried on 6/4/97. Of course not. No story "needs" to be told, whether it's Alice In Wonderland or Waiting for Godot. The real question is, does a story compel attention, does it make you think and feel (not necessarily think and feel lovely thoughts!), and does it play fair and maintain a certain plausibility even given its fantastic premises? "sevitt" in Israel wonders whether the narrator's reported flashbacks were true. It doesn't make any difference! He is telling the stories; they present either what he wants to think about himself or what he wants the listener to believe (and the listener is NOT the person who reads the book _The End of Alice_, remember, but a 19-year-old female correspondent who wants to seduce 12-year-old boys).
This is an amazing book. I look forward to reading Homes's other work, past and future.

69 of 75 people found the following review helpful.
Disgusting, but impossible to forget
By Linda Linguvic
I read this 1996 novel by A.M. Homes when it was first published, but just thinking about it still gives me the shivers. It's a scary book, mostly because it forces the reader's mind to think in a sick and grotesque way.
The narrator is a 54-year old pervert who serving time in Sing Sing for the rape and murder of a 12-year old girl. He has served 23 years already when he receives a letter from a 19-year old girl who is planning to seduce a 12-year old boy. A correspondence follows which forces the pedophile's memory to reveal the most shocking and lurid details of his crimes.
This was easily one of the most disgusting books I ever read. The act of reading it made me nauseous, but yet I applaud the author for her courage to write it and do recommend it to the few brave souls who are willing to experience its horrific roller coaster ride.
But be forewarned: the disgust and revulsion last long after the book is finished, and its essence is impossible to forget.

27 of 29 people found the following review helpful.
Fascinating, frustrating and disappointing but unforgettable
By Zimbeline
I initially wrote this review on June 19th, 2000 and changed the viewing to private. The memory of the book has lingered, so I decided to again make public my review and update.

"Having always been most intrigued by the shadowy side of the human psyche, I was initially fascinated with the twisted, dark tale unfolding. At times, it was difficult to follow, but the human mind is a complex thing. The 19-year-old's descent into depravity was worth the price of the book. Which, upon finishing the novel, makes me glad I bought it [discounted].... Because by the end, that is about all the book is worth. As an avid collector of books, I will not be saving this one for my library. The final fourth of the book was so very disappointing. I was not shocked, nor repulsed by the final revelations, I was far too annoyed with the story by that point. For all that the book was built up to be, by reviewers and by the initial reading of the first 200 pages, it suddenly spiraled out of control, crashed and burned. A discordant finish with jangling ends to such a rich, darkly disturbing composition. Nabakov, it is not. It stands on it's own, good or bad." KM 06/19/2000

Addendum and Update: 5 years later after reading this book, like the majority of other reviewers, I have been unable to forget it. The disgust and horror remains. This book does have the ability to take you to the darker places of the soul and leave an indelible mark there. Evil is a very human quality, not relegated to the isolate domain of demons and bogeymen.

Frederich Nietzsche said: "Whoever fights monsters should see to it that in the process he does not become a monster.

And when you look into the abyss, the abyss also looks into you."

"The End of Alice" is a look into the abyss.

Few books have that lasting effect on the psyche like this one.

You'll either love it or hate it, but you might never forget it.

KM 06/12/2005

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Rabu, 17 April 2013

[W339.Ebook] Download Ebook Teach Yourself Judaism (Teach Yourself: Philosophy & Religion), by CM Hoffman, Gorsky Jonathan

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Teach Yourself Judaism (Teach Yourself: Philosophy & Religion), by CM Hoffman, Gorsky Jonathan

Discover Judaism and its role in our world

Teach Yourself Judaism is a comprehensive guide to the Jewish faith. Delving into the roots and development of Judaism and considering the practicalities of pursuing a Jewish way of life, this book will ensure you soon have a thorough understanding of the beliefs and practices of this major world religion. From the principles behind significant traditions and rituals to the impact of the Holocaust and the state of Israel on Jewish self-understanding, this book is a fascinating read.

  • Sales Rank: #2995870 in Books
  • Published on: 2008-11-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.80" h x .80" w x 5.00" l, .60 pounds
  • Binding: Paperback
  • 304 pages

About the Author

C. M. Hoffman is a lecturer in religious studies and the author of several books on Judaism.

Jonathan Gorsky is the consultant for this book. He is an Orthodox Jew and the educational advisor for the Council of Christians and Jews.

Most helpful customer reviews

1 of 1 people found the following review helpful.
decent overview of Judaism
By R. Pokkyarath
The book provides the contours of the Jewish identity, religious philosophy, customs and ethics touching upon many aspects I didn't know and correcting some of my existing understandings. My knowledge of the Judaism was limited to a few keywords such as Kosher (of course!), Shabbat, Torah, Passover etc. After this reading exercise I think it has gotten a bit better; my understanding of why pork is not eaten is now corrected; understand that shellfish is non-kosher; that switching on the light during Shabbat may be offensive to orthodox Jews; that after-life and other related metaphysical concepts are loosely defined; that the much awaited messiah is not a divine form, but a leader among the people; where Talmud, Nevium, Ketuvium fits in within the structure of the scriptures; history of the various festivals and many more.

I was alternating between this book and wikipedia which has a very well written section on Judaism.

0 of 0 people found the following review helpful.
Five Stars
By RICHARD RIDDLE
great book

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Selasa, 16 April 2013

[W651.Ebook] Free PDF Rethinking the French Revolution: Marxism and the Revisionist Challenge, by George C. Comninel

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Rethinking the French Revolution: Marxism and the Revisionist Challenge, by George C. Comninel

Historians generally—and Marxists in particular—have presented the revolution of 1789 as a bourgeois revolution: one which marked the ascendance of the bourgeois as a class, the defeat of a feudal aristocracy, and the triumph of capitalism. Recent revisionist accounts, however, have raised convincing arguments against the idea of the bourgeois class revolution, and the model on which it is based.

In this provocative study, George Comninel surveys existing interpretations of the French Revolution and the methodological issues these raise for historians. He argues that the weaknesses of Marxist scholarship originate in Marx’s own method, which has led historians to fall back on abstract conceptions of the transition from feudalism to capitalism. Comninel reasserts the principles of historical materialism that found their mature expression in Das Kapital; and outlines an interpretation which concludes that, while the revolution unified the nation and centralized the French state, it did not create a capitalist society.

  • Sales Rank: #1913016 in Books
  • Brand: Brand: Verso
  • Published on: 1991-01-17
  • Released on: 1991-01-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .50" w x 5.50" l, .68 pounds
  • Binding: Paperback
  • 240 pages
Features
  • Used Book in Good Condition

Review
“Scholarly and enjoyable ... If you have any kind of mind, you will get sustained and exacting pleasure from the book.”—Gwyn Williams, New Statesman

“Very refreshing ... Comninel’s book does offer new angles of vision to the student of the Revolution.”—Times Literary Supplement

“Excellent ... Comninel’s explanation of Marx’s historical materialism is bold and convincing.”—Village Voice

About the Author
George Comninel is Associate Professor of Political Science at York University, Toronto.

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5 of 6 people found the following review helpful.
Outstanding new Marxist thinker
By Bill Dewey/Reclaiming Quarterly
This volume presupposes some familiarity with leftist theories of the French Revolution. A generation ago, Alfred Cobban undermined the standard Marxist "bourgeois revolution" interpretation of the revolution, but offered little in its place. Around 1990, George Comninel examined the wreckage and began to outline new directions. This is one of the more promising works in the Marxist tradition in recent years, and will hopefully be followed by a more "constructive" volume that fully rethinks the French Revolution and its impact on theory and practice today.

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Senin, 15 April 2013

[N292.Ebook] Fee Download McElligot's Pool (Classic Seuss), by Dr. Seuss

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McElligot's Pool (Classic Seuss), by Dr. Seuss

Imagination runs wild in this Caldecott Honor-winning tale featuring Dr. Seuss's inimitable voice and hysterical illustrations. The first Seuss title to feature full-color art on every other page, this adventurous picture book tells of Marco-who first imagined an extraordinary parade in And to Think That I Saw It on Mulberry Street-as he daydreams of all the possibilities that await him while he fishes in McElligot's Pool. Optimistic and exciting, this tale is the perfect bait, and readers young and old will be hooked on this fish-tastic favorite.

  • Sales Rank: #7365 in Books
  • Brand: Simon & Schuster Children's Publishing
  • Published on: 1947-09-12
  • Released on: 1947-09-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.31" h x .42" w x 8.25" l, .81 pounds
  • Binding: Hardcover
  • 64 pages

Amazon.com Review
McElligot's Pool is a Seuss classic from the distant era before even The Cat In The Hat. It's a single poetic variation on the theme of adult skepticism that's no match for childhood faith and daydreaming. A small boy is fishing in the tiny, unpromising McElligot's Pool, a puddle that (as a passing farmer informs our diminutive hero) is nothing but a hole where people dispose of their junk. But the boy is all optimism: what if the pool is deeper than anyone thinks? What if it connects to an underground stream that flows under the town to the sea? Might not all sorts of fish then swim up the stream and be caught here? "I might catch an eel... (Well, I might. It depends.) A long twisting eel with a lot of strange bends. And, oddly enough, with a head at both ends!" The moral of the story is straightforward: "If I wait long enough, if I'm patient and cool,/ Who knows what I'll catch in McElligot's pool?" (Ages 4 to 8) --Richard Farr

Review
"Rare and wonderful imaginings are told in the author-artist's inimitable rhyme and are shown in hilariously funny pictures."--Booklist.

From the Inside Flap
Illus. in color. Who knows what fantastic fish might swim in McElligot's Pool!

Most helpful customer reviews

11 of 11 people found the following review helpful.
My mother really likes the big orange book of beginner ...
By ELIZABETH A. OLVERA
My mother really likes the big orange book of beginner books. You also have a blue, purple and a green book of beginners. We think these books should be numbered so people can know which book should be read first. We believe that the orange should be read 1st. Not the blue book. But my mother really likes these books. She get really excited when she reads. She can't believe she can read english.

1 of 1 people found the following review helpful.
Engaging and encourages imagination
By Robin Hartman
I volunteered to read this to four classes 1st graders on Read Across America Day and then to a college poetry jam. It was a great story to encourage imagination among the 6-year-olds. I asked them to imagine what I was reading about before I showed them the drawings. Many kids said things like, "I knew it!" or laughed. Good interaction during the reading and afterwards a few kids asked it if they could find it in the library. The college students were amused and insisted that I show the pictures like I did for the children.

3 of 3 people found the following review helpful.
Still angling for one of those fantastic fish
By Runa Fernanda
This book is one of my all-time favorites and I have now bought the book for the library of a young relative. I first read it a couple years after it was originally published in 1947. Perhaps it meant so much to me because I lived on a farm that had ponds and streams, and what better way to spend a summer afternoon than to lie at the edge of pond or creek and imagine where that water might go, and what one might find.

The rhymes may not be great poetry, but they are not meant to be. They are catchy and roll along, easy to read and to say. The illustrations are terrific. A few folks fuss that some of the illustrations are black and white. That's just the way many books were back then. If disappointed, add your own color.

It is hard to be objective about a book that so captured my fancy, and perhaps my review is merely a way of saying thank you to Dr. Seuss for a lifelong delight.

No matter what body of water I may be near, I can still hear from the deeps the sound of the fish that go "glurk".

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Sabtu, 13 April 2013

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How will your kids answer these provocative questions? What if. . .you could talk to you family about anything? . . .you could have one superhuman power? . . .you could grade your teacher? . . .You found out your best friend had AIDS? . . .you could exchange bodies with anyone? . . .you could ask God three questions? Their answer will spark lively discussion, debate, and real thinking. You can use the 450 stimulating questions you'll find in What If. . .? to break the ice, get a discussion rolling, build community, get kids to wrestle with spiritual issues, or just have fun. The follow-up questions--What could you do? What would you do? What should you do?--provide an added twist to the process. And the convenient size makes it easy to stick in your pocket or the glove compartment of your car. You'll find What If. . .? an indispensable part of your youth ministry.

  • Published on: 1964-07-01
  • Binding: Paperback

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Minggu, 07 April 2013

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Core Java Professional: for the Really Impatient., by Harry. H. Chaudhary.

Essential Java Skills--Made Easy! =================

Learn the all basics and advanced features of Java programming in no time from Bestseller Java Programming Author Harry. H. Chaudhary (More than 1,67,000 Books Sold !). This Java Guide, starts with the basics and Leads to Advance features of Java in detail with thousands of Java Codes and new features of Java 8 like Lambdas. Java 8 Functional interface, || Stream and Time API in Java 8. , I promise this book will make you expert level champion of java. Anyone can learn java through this book at expert level.

The main objective of this java book is not to give you just Java Programming Knowledge, I have followed a pattern of improving the question solution of thousands of Codes with clear theory explanations with different Java complexities for each java topic problem, and you will find multiple solutions for complex java problems. Engineering Students and fresh developers can also use this book. This book covers common core syllabus for all Computer Science Professional Degrees If you are really serious then go ahead and make your day with this ultimate java book.

What Special – In this book I covered and explained several topics of latest Java 8 Features in detail for Developers & Fresher’s, Topics Like– Lambdas. || Java 8 Functional interface, || Stream and Time API in Java 8. This Java book doesn’t require previous programming experience. However, if you come from a C or C++ programming background, then you will be able to learn faster.

First Part-

Teach you how to compile and run a Java program, shows you everything you need to develop, compile, debug, and run Java programs. And then discusses the keywords, syntax, and constructs that form the core of the Java language. After that it leads you to advanced features of java, including multithreaded programming and Applets.

Learning a new language is no easy task especially when it’s an oop’s programming language like Java. You might think the problem is your brain. It seems to have a mind of its own, a mind that doesn't always want to take in the dry, technical stuff you're forced to study. The fact is your brain craves novelty.

This Java Book is very serious java stuff: A complete introduction to Java. You'll learn everything from the fundamentals to advanced topics, if you've read this book, you know what to expect--a visually rich format designed for the way your brain works. To use this book does not require any previous programming experience. However, if you come from a C/C++ background, then you will be able to advance a bit more rapidly. As most readers will know, Java is similar, in form and spirit, to C/C++. Thus, knowledge of those languages helps, but is not necessary. Even if you have never programmed before, you can learn to program in Java using this book.

Inside Contents (Chapters):


1. (Overview of Java)
2.(Java Language) 3.(Control Statements) 4.(Scanner class, Arrays & Command Line Args) 5.(Class & Objects in Java) 6.(Inheritance in Java) 7.(Object oriented programming) 8.(Packages in Java) 9.(Interface in Java) 10.(String and StringBuffer) 11.(Exception Handling) 12.(Multi-Threaded Programming) 13.(Modifiers/Visibility modes) 14.(Wrapper Class) 15.(Input/Output in Java) 16.(Applet Fundamentals) 17.(Abstract Windows Toolkit)(AWT) 18.(Introducton To AWT Events) 19.(Painting in AWT) 20.( java.lang.Object Class ) 21.(Collection Framework)
PART - II (Java 8 Features for Developers)
22. Java 8 Features for Developers – Lambdas. 23. Java 8 Functional interface,Stream & Time API. 24. Key Features that Make Java More Secure than Other Languages.

  • Published on: 2014-08-03
  • Original language: English
  • Dimensions: 9.00" h x 1.32" w x 6.00" l,
  • Binding: Paperback
  • 582 pages

Review
It has a good way to teach/explain every topic because used good examples and exercises�-Peter Thompson

I started learning Java a few years ago, having had previous experience with C++, PL/SQL, ActionScript (Flash) and even assembly language. For some reason, even with books by Paul and Harvey Deitel, I found that I was not sure of what I was doing in Java. I could read the code and tell what a program was doing, but was having a hard time creating the new objects, interfaces and methods I needed for my project.- �Jeffry Todd.

I have experience in programming in many other languages, but not much OOP. For my level of understanding of programming concepts, this is an excellent book. The approach takes you through the concepts in a well ordered fashion. The example programs are simple to illustrate the concepts as you go. The test exercises at the end of each chapter allow you to judge for yourself if you have absorbed the knowledge contained in each chapter and the answer section will help if you to zero in on things you are just not getting.�- John Anderson.

Short and to the point very well descripted and proper example very good examples and fluent language and good concepts�-� Jenny.

From the Author

  • Advise-��For Better Understanding , I Would like to suggest you to purchase both�Paperback Edition�of this book &�Digital Pdf Edition,�(Available) on�Google Play�& Google Books with�Only 5.99 USD. Pdf Edition is very well designed and fully perfect�formatted.
  • This Java Book is very serious java stuff: A complete introduction to Java. You'll learn everything from the fundamentals to advanced topics, if you've read this book, you know what to expect--a visually rich format designed for the way your brain works. To use this book does not require any previous programming experience. However, if you come from a C/C++ background, then you will be able to advance a bit more rapidly. As most readers will know, Java is similar, in form and spirit, to C/C++. Thus, knowledge of those languages helps, but is not necessary. Even if you have never programmed before, you can learn to program in Java using this book.�

From the Inside Flap
Inside Contents (Chapters):�
01.�(Overview of Java)�
02.�(Java Language)�
03.�(Control Statements)�
04.�(Scanner class, Arrays & Command Line Args)�
05.�(Class & Objects in Java)�
06.�(Inheritance in Java)�
07.�(Object oriented programming)�
08.�(Packages in Java)�
09. (Interface in Java)�
10.�(String and StringBuffer)�
11.�(Exception Handling)�
12.�(Multi-Threaded Programming)�
13.�(Modifiers/Visibility modes)�
14.�(Wrapper Class)�
15.�(Input/Output in Java)�
16.�(Applet Fundamentals)�
17.�(Abstract Windows Toolkit)(AWT)�
18.�(Introduction To AWT Events)�
19.�(Painting in AWT)�
20.�( java.lang.Object Class )�
21.�(Collection Framework)�

PART - II�(Java 8 Features for Developers)�

22.�Java 8 Features for Developers - Lambdas.�
23.�Java 8 Functional interface,Stream & Time API.�
24.�Key Features that Make Java More Secure than Other Languages.

Most helpful customer reviews

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Jumat, 05 April 2013

[C696.Ebook] Ebook Creativity in Public Relations (PR in Practice), by Andy Green

Ebook Creativity in Public Relations (PR in Practice), by Andy Green

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Creativity in Public Relations (PR in Practice), by Andy Green

Creativity in Public Relations (PR in Practice), by Andy Green



Creativity in Public Relations (PR in Practice), by Andy Green

Ebook Creativity in Public Relations (PR in Practice), by Andy Green

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Creativity in Public Relations (PR in Practice), by Andy Green

Creative input is inevitably required of the PR practitioner, and yet many PR practitioners lack a real understanding of the creative process. Creativity in Public Relations addresses this situation. It guides the reader through a range of techniques and tips for generating creative ideas, as described by the "five I's" of the creative process: information, incubation, illumination, integration and illustration. Among the topics it explores are: techniques for stimulating ideas, ways to evaluate ideas, obstacles to creativity, the creative individual, and the creative organization. It includes practical examples and research carried out by those in the PR industry who are regarded as creative�by their peers.� By clearly establishing a definition of "creativity," this�book will help PR practitioners use the creative process to greater effect in their work.�The fourth edition of this popular title includes new case studies and�updates on the increasing importance�of social media in public relations.

  • Sales Rank: #3014023 in Books
  • Brand: Brand: Kogan Page
  • Published on: 2010-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .76" w x 6.00" l, 1.10 pounds
  • Binding: Paperback
  • 256 pages
Features
  • Used Book in Good Condition

Review
"[A] must for any business's PR department." - Midwest Book Review

From the Publisher
Andy Green has run his own public relations and marketing consultancy in Wakefield for the last five years. He has some 18 years experience in the public relations profession spanning both in-house in the public sector, and in consultancy. he is a former chairman of the Institute of Public Relations' Yorkshire Group.

About the Author
Andy Green runs his own public relations and marketing consulting firm.� He teaches courses on creativity for�many leading organizations. He is also�the author of Effective Personal Communication Skills for Public Relations.

Most helpful customer reviews

0 of 0 people found the following review helpful.
A must for any business' PR department
By Midwest Book Review
Innovation sells. "Creativity in Public Relations" is a guide to bringing new ideas to the world of public relations. Emphasizing the creative process, the value of developing new methods over letting old ones stagnating, and using methods to create new opportunities for one's business. A fully updated fourth edition uses recent developments to provide many new ideas, making "Creativity in Public Relations" a must for any business' PR department.

4 of 22 people found the following review helpful.
It's a real heavyweight book with lighter moments.
By A Customer
It's probably the best summary and introduction to understanding howwe go about being creative. It is of general interest beyond the public relations field

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