Sabtu, 30 Juni 2012

[E803.Ebook] Fee Download A study of war: Abridged by Louise Leonard Wright, by Quincy Wright

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  • Sales Rank: #7831408 in Books
  • Published on: 1964-01-01
  • Format: Import
  • Binding: Hardcover
  • 451 pages

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Rabu, 27 Juni 2012

[R543.Ebook] Download The Art of Urban Sketching: Drawing On Location Around The World, by Gabriel Campanario

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The Art of Urban Sketching: Drawing On Location Around The World, by Gabriel Campanario

The Art of Urban Sketching is both a comprehensive guide and a showcase of location drawings by artists around the world who draw the cities where they live and travel. Authored by the founder of the nonprofit organization Urban Sketchers (www.urbansketchers.org), this beautiful, 320-page volume explains urban sketching within the context of a long historical tradition and how it is being practiced today. With profiles of leading practitioners and discussions of the benefits of working in this art form, this inspiring book shows how one can participate and experience this creative outlet through modern-day social networks and online activity. You'll find more than 600 beautiful, contemporary illustrations, as well as artists' profiles and extended captions where these urban sketchers share their stories, how they work, sketching tips, and the tools behind each drawing. With sketches and observations from more than 50 cities in more than 30 countries, The Art of Urban Sketching offers a visually arresting, storytelling take on urban life from different cultures and artistic styles, as well as insight into various drawing techniques and mediums.

  • Sales Rank: #140599 in Books
  • Brand: Quayside Publishing
  • Model: QU-00764
  • Published on: 2012-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.13" h x 1.00" w x 8.50" l, 2.03 pounds
  • Binding: Paperback
  • 320 pages
Features
  • Author: Gabriel Campanario
  • Softcover, 319 pages
  • Published 2012

Review

"Campanario founded the nonprofit organization Urban Sketchers, and this book showcases the work of over 100 artists worldwide who draw scenes from the cities where they live and travel, posting them at urbansketchers.org. The concept caught on fast, and new groups are forming around the world, connecting with each other online. Here, Campanario offers guidance on tools, techniques, the urban environment, and drawing styles, but the main strength of this book is the 500-plus full-color examples of successful sketches drawn in metropolises and towns all over the globe. VERDICT: Part travel book, part art instruction, this is a great guide to look at before (or instead of) your next vacation." - Library Journal

About the Author
Gabriel Campanario is a staff artist at The Seattle Times and the founder of Urban Sketchers (www.urbansketchers.org), a nonprofit organization dedicated to fostering the art of on-location drawing. Campanario's newspaper column, Seattle Sketcher, was awarded first place for blog writing in "The Best of the West" journalism contest. The blog and weekly print column, which combine location sketches and written stories, have quickly become popular in the Seattle area, where Campanario has been featured in TV and radio appearances. A native Spaniard, Campanario moved to the U.S. in 1998 and has lived near Seattle with his wife and two children since 2006. His journalism career spans two decades, working for newspapers in Barcelona, Lisbon, California, and Virginia. Campanario has a master's degree in journalism from the University of Navarra in Pamplona, Spain.urbansketchers.org

Most helpful customer reviews

104 of 106 people found the following review helpful.
Showcases the love for sketching
By Parka
[[VIDEOID:mo73HTQYX2GXVG]]Urban sketchers is a community of sketchers who share their sketches online. There are groups in various countries. I'm a follower of the main blog. I find it very interesting to be reading about places around the world, getting to know the streets through the eyes of people living or traveling there.

This book is 320 pages thick. For the price, it's a terrific bargain. There are over 500 sketches featured from artists all around the globe. The styles are incredibly varied, ranging from pencil sketches to watercolour paintings. Each artist has a personal style, and each sketch has a story to tell. Some of the artists are so good they should publish their own books. Gerard Michel is one of them.

There are three sections in the book. The first is the introduction on urban sketching. The second section showcases the different places drawn. That's the bulk of the book. And the third provides inspiration on where and what you can draw.

The location drawings are accompanied by artist profiles and drawing tips. This isn't an instructional book so it doesn't really cover the techniques on drawing.

I like the short stories on the sketches. Florian Afflerbach and his friends were drawing in Venice when the flood came and soak their feet. Nina Johansson documented the demolition of a public bath house, and the protest against the demolition.

Artist Joao Catarino has a sentiment that I share: Drawing everywhere is like traveling all the time. Sketching is one way to get the holiday mood all the time. I can look back at my sketches and remember vividly the places visited. I cannot say the same for travel photos I've taken. The experience is richer when you're not looking but studying a place. I wish I had started sketching earlier.

This is a fantastic book.

Highly recommended.

(There are more pictures of the book on my blog. Just visit my Amazon profile for the link.)

29 of 30 people found the following review helpful.
An inspiring way to "see the world one drawing at a time"
By Tina K.
I have admired the sketches of author Gabriel Campanario ever since they started appearing weekly in The Seattle Times. Known as the Seattle Sketcher, Campanario takes even the most commonly photographed, iconic Seattle scenes, such as the Pike Place Market, and gives them his fresh, personal perspective that no camera can capture. I was so inspired that I became an urban sketcher myself. As I dug for more of his work on his personal blog, I was led to the local and then the international Urban Sketchers blogs (initiated by Campanario), which showed me the world "one drawing at a time" - and further compelled me to explore my city (and any city I visit) with a sketchbook. Now The Art of Urban Sketching brings to print the same types of visual expressions that I have been admiring online.

The 300-plus pages are divided into three parts. The first helps beginning sketchers gather the right tools and attitude to adopt the urban sketchers' manifesto.

The second, and largest, section, the meat of the book, compiles the work of more than a hundred artists worldwide giving us their unique urban views. It's nothing short of amazing to see the variety of styles, media and perspectives. Some sketches are casual and loose, while others are intensely detailed. Some are completed in minutes; others in many hours over the course of weeks. All are the result of careful observation and the desire of the artists to truly know a place by sketching it.

I especially enjoyed the artist profiles, their first-person anecdotes about the scenes they sketched and the photos of those artists sketching (usually standing on a street corner, sitting against a building or on a bench). I also appreciated brief technical tips the artists offered to make outdoor sketching more comfortable or make drawings more interesting, and information about how long the sketch took and media used. Some sites depicted are easily recognizable because they are widely photographed, yet the sketches are more intimate and personal than most photos. Other cities are less-often seen in the media, so these glimpses of faraway neighborhoods seem led by personal tour guides.

The third section covers themes - architecture, seasons, nighttime sketching - that urban artists are compelled to sketch. "People in Action" - my personal favorite sketching subject that I also find most challenging - includes helpful tips on how to capture movement, mood and energy when you only have a few minutes or seconds before the "model" is gone.

As a long-time wannabe sketcher, I have read and admired many books on nature sketching (Hannah Hinchman's fine work comes first to mind), but as a city dweller, I don't often or easily see the breathtaking landscapes and wildlife shown in those books. Finally, a book of sketches for the rest of us that makes it clear that the urban landscape can be as compelling, moving and ever-changing as nature. If you have any desire to capture your urban life in a sketchbook or view how others have captured theirs, you will love this book.

15 of 15 people found the following review helpful.
Good Buy for artists of all levels!
By PaintingLover
This book suits the needs of everybody who likes to draw.
It provides beginners the initial push to confront the white paper by means of simple schemes. The tips of the selected artists - more than 100 - will speed up the learning process of anyone who wants to go further.
For those who already know how to draw, the book offers a collection of themes and approaches that will really be able to "open the mind" for new horizons. Based on the urban theme, one can have a broad range of techinques and be able to combine new formulas that have proven successful.
Thanks to the personality and the spirit of the author, who made a meritocratic selection of the artists presented, the book provides valuable "solutions" for almost all problems faced by an urban sketcher while trying to accomplish his task of selecting the most important information from the urban scene depicted. This is truly useful even for the most experienced sketchers.
Congratulations!

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Senin, 25 Juni 2012

[G835.Ebook] PDF Ebook The Comic Toolbox: How to be Funny Even if You're Not, by John Vorhaus

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The Comic Toolbox: How to be Funny Even if You're Not, by John Vorhaus

Comedy is not magic, not inspiration, not a “gift.” Mostly, it’s simple rules and structures—the logic of the illogical—tools that anyone can use.

The Comic Toolbox is a straightforward, often humorous, workbook approach to comedy writing as creative problem solving. In it, veteran Hollywood comedy writer John Vorhaus offers his tools of the trade to writers, comics, and anyone else who wants to be funny. Among these indispensable tools are Clash of Context, Tension and Release, The Law of Comic Opposites, The Wildly Inappropriate Response, and The Myth of the Last Great Idea.

Readers will learn that comedy = truth and pain (the essence of the comic situation), that fear is the biggest roadblock to comedy (kill your ferocious editor within and rich, useful comic ideas will flow), and much, much more.

With Vorhaus’ tools in hand, anyone can be funny.

  • Sales Rank: #68034 in eBooks
  • Published on: 2014-12-15
  • Released on: 2014-12-15
  • Format: Kindle eBook

Most helpful customer reviews

132 of 142 people found the following review helpful.
A helpful - and ENJOYABLE - book of fiction writing advice
By Tami D. Cowden
No other book on writing I've read - and I've read a lot! - kept me chuckling throughout. I'd recommend this book for the laughs alone, but I can also recommend it as the fount of writing wisdom it entails.
Vorhaus not only explains the basic types of humor and the elements of a comic plot, but also lays out an excellent plotting structure useful for any type of fiction writing. Whether you merely want to add a few touches of humor to an angsty story, or you want to write the next comic blockbuster, this book will help you on your way.
P.S. Chapter 9 alone is worth the price of the book!

74 of 79 people found the following review helpful.
Simple, short, and useful
By Logan Strain
"The Comic Toolbox" is very to the point as to what comedy is, and how it is created. It outlines a basic structure so easy to use that anyone with a decent grasp of the english language can write a humorous skit or scene. Though, for my money, I would also get "Comedy writing step by step." It grasps far deeper than Vourhous's basic outline, and is very comprehensive. Use "Comic Toolbox" as a quick reference, but use "Step by Step" as a guide.

44 of 48 people found the following review helpful.
(Unimaginative title here)
By A Customer
This book will teach you step by step how to construct comedy- whether that be a joke, a sketch, or a gag. This book will get you there. Oh it is work... make no mistake, but you WILL be funny. How many books do you own that you can say that about?

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Minggu, 17 Juni 2012

[I154.Ebook] Ebook The Dynamics and Thermodynamics of Compressible Fluid Flow, Vol. 1, by Ascher H. Shapiro

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The Dynamics and Thermodynamics of Compressible Fluid Flow, Vol. 1, by Ascher H. Shapiro

VOLUME I ONLY. The Dynamics and Thermodynamics of Compressible Fluid Flow in Two Volumes, Volume I by Ascher H. Shapiro. 1953 hardcover published by The Ronald Press Company, New York.

  • Sales Rank: #1616498 in Books
  • Published on: 1953
  • Ingredients: Example Ingredients
  • Original language: English
  • Binding: Hardcover
  • 647 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Best engineering textbook ever
By Flying Boat "Pete"
I used this book in a graduate course on compressible flow in about 1957. Without hesitation, I consider this the best textbook I have encountered in a 45 year engineering career. In later years I used it often in my work, and I still have it. I browse it occasionally when I want to be reminded how much fun being an engineer can be.

10 of 13 people found the following review helpful.
The best book on compressible fluid flow.
By A Customer
This is a very good book on compressible fluid flow. It shows you the mecanism of this kind of fluid flow in such a way that it becomes very understandable. This is a very good reference to lern the basis for applications such as gas turbines and jet propulsion, for exemple.

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Jumat, 15 Juni 2012

[H416.Ebook] Download In Search of Enemies: A CIA Story, by John Stockwell

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In Search of Enemies: A CIA Story, by John Stockwell

“[The United States’ goal in Angola] was not to keep out the Cubans and Soviets but to make their imperial efforts as costly as possible to prove that, after Vietnam, we were still capable of response, however insane. It is the story that has been told, and in impressive and convincing detail, by John Stockwell, the former chief of the CIA’s Angola ‘task force.’ His book should not be missed. Since strategic thought survives by ignoring experience, it has a highly professional interest in avoiding accounts such as this. By the same token, all who are alarmed about the tendency toward such strategic thinking should strongly welcome Mr. Stockwell’s book.” ―John Kenneth Galbraith, New York Review of Books

In Search of Enemies is much more than the story of the only war to be found when the CIA sought to recoup its prestige after the Vietnam debacle. Though no American troops were committed to Angola, only “advisors,” many millions were spent, many thousands died, and many lies were told to the American people, in waging a war without purpose to American vital interests and without hope of victory.

  • Sales Rank: #730953 in Books
  • Published on: 1984-03-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x 1.00" w x 5.00" l, .94 pounds
  • Binding: Paperback
  • 288 pages
Features
  • ISBN13: 9780393009262
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

About the Author
John R. Stockwell (1937- ), who lived in Africa for ten of his early years, is a graduate of the University of Texas and an alumnus of the U.S. Marine Corps. After twelve years as a CIA officer, he resigned from the agency on April 1, 1977.

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25 of 27 people found the following review helpful.
Well worth it.
By VC1983
I first read this book 27 years ago as a senior in college. The author spent several days on campus lecturing to a small group of seniors who took part in this particualr seminar course. It was absolutely fascinating. I will read this book again.

Later that year I formally applied to the CIA's training program. I attended a large group orientation meeting - maybe 60 people. In the course of the meeting a list of suggested reading material was passed out to all. During Q & A time I asked the CIA presenter why Stockwell's book was conspicuously absent from the reading list. "Oh, you must be the guy from Vassar." was his only comment. He correctly identified me out of an otherwise anonymous group of applicants just from the question I asked. He knew Stockwell was on campus. He knew I must have attended his class. These guys do their homework. I'll never forget it.

30 of 31 people found the following review helpful.
Nuts and bolts of a CIA covert operation
By B. Odlum
In the last decade, a lot of CIA expos�s have been published, with the declassification of many previously unavailable documents. What distinguishes this one is that it was originally published in 1976, which makes it one of the first, and it is written by an extraordinary man who could not have been more personally involved in the subject of his book.

If you are looking for a James Bond genre spy novel, you will be disappointed. If you want to understand, in detail, the actual structure and dynamics of a covert CIA operation, this book is the jackpot. In the early 1970's Mr. Stockwell was in charge of the Angola Task Force. He knows what he is talking about. This book is very direct and hits hard. For the most part Stockwell just presents the facts and allows the reader to decide, but of course the book is written after he experienced a moral rectification and left the CIA. The book is intended as an insider's expos�, and it does a fantastic job. He makes no attempt to justify his own role in the drama, referring to himself as a "villain".

Personally, I found the author to be a fascinating man. He grew up in the heart of the Belgium Congo, where he learned French and Tshiluba, one of the many native languages of the country. Obviously, he got a first hand glimpse of an African nation colonized by a European power. I assume he learned English from his parents, his vocabulary is slightly more extensive than my own.

Later he joined the Marines, and as a reconnaissance officer on a Navy cruise he engaged in covert hydrographic surveys off the western African coast. Afterwards, as a CIA officer, he did a tour of duty in Vietnam, but has apparently had many CIA experiences in many African countries as well. I hope this man writes a biography someday, it would be fascinating.

As the author himself recommends, buy a used copy of this book already in circulation, not a new copy. The CIA sued Stockwell over publication of this book, and all new sales proceeds go to the agency, not to him. That by itself is a strong recommendation to read his story.

5 of 5 people found the following review helpful.
Still disturbing today
By oldboyinblack
The whole cold war was disturbing enough to live through, but when books like this show the ineptitude of the people who were running the show back then, it makes it hard to stop feeling cold today. Stockwell has given a readable and detailed account of the Angolan situation. I heard about the book while studying politics at University, but this is much more approachable than any academic text book. There is a disturbing reality on every page.

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Kamis, 14 Juni 2012

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  • Published on: 1600
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Rabu, 13 Juni 2012

[U705.Ebook] Download Sketches in the History of the Underground Railroad, by Eber Pettit

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Sketches in the History of the Underground Railroad, by Eber Pettit

The Underground Railroad is one of the most taught topics to young schoolchildren, and every American is familiar with the idea of fugitive slaves escaping to Canada and the North with the help of determined abolitionists and even former escaped slaves like Harriet Tubman. The secrecy involved in the Underground Railroad made it one of the most mysterious aspects of the mid-19th century in America, to the extent that claims spread that 100,000 slaves had escaped via the Underground Railroad. Of course, from a practical standpoint, the Underground Railroad had to remain covert not only for the sake of thousands of slaves, but for a small army of men and women of every race, religion and economic class who put themselves in peril on an ongoing basis throughout the first half of the 19th century, and in the years leading up to the war. Over 150 years later, that same secrecy has helped the Underground Railroad become so romanticized and mythologized that people often visualize it in ways that were far different from reality. Before the American Civil War eliminated slavery, it was a fixture in North America for over 200 years, and by 1850 a trained slave was worth approximately $2,500, around 10 times the sum of a typical annual salary in that day. As a result, the economic dependence on slavery in the South was an extreme one, and in the wake of the Fugitive Slave Act, black people in the North were under constant pressure to defend their “credentials” to bounty hunters and owners. Between the value of slaves in America, rising abolitionist sentiment at home and overseas, and political debates promoting or hindering the movement toward equality, the era in which the Underground Railroad operated cannot be easily fit into a concise body of principles, actions or geography. Hilary Russell may have put it best in saying of the Underground Railroad that while “a powerful and centralized system may not have existed but in legend, localized networks did.” Communication standards over long distances being what they were in that century, she is most likely correct. The Underground Railroad was neither a true railroad nor underground, and it was not a route but a network comprised of a widespread conspiracy and social rebellion against present law. For the most part, people working on the Underground Railroad tried to protect themselves by not knowing the full details of the routes they were working on; instead, many people just played individual parts for the greater good.

  • Sales Rank: #1940648 in Books
  • Published on: 2015-02-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .32" w x 6.00" l, .44 pounds
  • Binding: Paperback
  • 142 pages

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0 of 0 people found the following review helpful.
There are many better books available on this subject....
By adknative
If you're looking for anonymous tales of runaway slaves, this might be of interest... if you're looking for historical record or researching historical facts, look elsewhere. This is a collection of tales which might have been true... or may have been the fictional work of someone with a bit of imagination. No locations are given, specifically... no names, places, dates or identities are included that could be checked against fact for any historical accuracy. There would be no way to cite this work for any research nor, in fact, any reason to. All of the tales may have an element of truth to them... or none of them might. There is no way to tell.

The author spent his time being clever, hinting at secrets but never sharing them. This was not written during the days when the Underground Railroad was still active and I see no reason for the secrecy maintained throughout the book... it would have been a better read if dates and places, as well as true names, hadd been given.

0 of 0 people found the following review helpful.
interesting history
By roger f richert
interesting historical reading. easy reading, new look at history that we were never exposed to.

0 of 0 people found the following review helpful.
Five Stars
By Paul and Gail Erhart
This is an amazing and eye opening slice of history

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Minggu, 10 Juni 2012

[U245.Ebook] PDF Download The British Battleship: 1906-1946, by Norman Friedman

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The British Battleship: 1906-1946, by Norman Friedman

Norman Friedman brings a new perspective to an ever-popular subject in The British Battleship: 1906-1946. With a unique ability to frame technologies within the context of politics, economics, and strategy, he offers unique insight into the development of the Royal Navy capital ships. With plans of the important classes commissioned from John Roberts and A D Baker III and a color section featuring the original Admiralty draughts, this book offers something to even the most knowledgeable enthusiast.

  • Sales Rank: #551718 in Books
  • Published on: 2015-10-15
  • Released on: 2015-10-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.50" h x 1.30" w x 9.90" l, 2.86 pounds
  • Binding: Hardcover
  • 400 pages

About the Author
Norman Friedman is arguably America's most prominent naval analyst, and the author of more than thirty books covering a range of naval subjects, from warship histories to contemporary defense issues. Since the 1980s, Friedman has been contributing regular columns analyzing world naval developments for Proceedings magazine. He earned his PhD in physics at Columbia University.

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20 of 20 people found the following review helpful.
U.K. Battleships: An Illustrated Design History
By Daryl Carpenter
Having previously read a number of standard works on British Battleships by R.A. Burt, Alan Raven, and David K. Brown, I seriously wondered what new information Norman Friedman would bring to the table. Rather than stepping on the toes of his predecessors, Dr. Friedman chooses to take a boardroom-level approach to the subject of British capital ship design from "Dreadnought" to "Vanguard." As with his previous books, he keeps the nitty-gritty details of warship design in the context of the political, economic, and military realities of the time. I've been a British warship fanatic for some time, but even I was impressed by the depth and extent of the research on display here. The bibliography lists a large number of Admiralty documents from the British National Archives, along with original Ship Covers, minutes from Churchill's tenure as First Lord, and design notebooks.

Friedman is Friedman - photo captions go on for paragraphs, and details are frequently thicker than your Grandma's pea soup. I've come to expect this, and it doesn't really bother me too much anymore. However, this book is ambitious even by his standards. People fascinated by the process of warship design will find much to love here, right down to the frustrating "can we make the ship two feet wider and gain a little metacentric height, but risk losing a half knot at deep displacement?" type questions that have plagued naval staffs and naval architects for decades. There is an enormous amount of information here on the design of the aborted Lion-class, G3 and N3 types, and 12-inch "treaty battleships" sketched before the 1930 London Naval Treaty , which I hadn't read before. Friedman's takes on the buildup to the "Dreadnought revolution," the origins of the battlecruiser, and the design of the Queen Elizabeth-class vary substantially from their "standard" telling. He also delivers an even-handed explanation for some of the more controversial design decisions, including the King George V-class' 14-inch main battery, the Nelsons' bridge arrangement, and Hood's armor scheme. There's even an entire chapter devoted to battleships designed and built for the export market during the pre-war Dreadnought craze, including ships intended for Greece and the Netherlands.

This book is BIG, and I feel like I'm not giving it the credit it deserves. I wouldn't recommend reading it you haven't read any of the classic works on the subject, or some of Norman Friedman's recent works, especially "Naval Firepower" and "Fighting the Great War at Sea." It covers an enormous amount of ground while still focusing on the titular subject. The text is immensely detailed, but still makes effective use of plain language to describe complex concepts. In many ways, this book is a British analogue to Friedman's "illustrated design history" on American battleships. You could probably read both back-to-back and get two very different takes on a similar story.

Now, a little bad news. Like a lot of recent Seaforth titles, my issues with this book lie mainly in it's presentation and editing. A few of the double-page photographs have gutters which run through the ships' masts or funnels. The editing and sentence structure in the first chapter is frequently terrible, but thankfully much better in the rest of the book. The quality of the plans is all over the place. A.D Baker III's and Alan Raven's work fares the best, although they are presented at too small a scale. Unfortunately, John Roberts' and George Richardson's drawings are frequently washed out and jittery looking. Comparing Roberts' crisply detailed, large-scale foldouts in "British Battleships of World War Two" with the plans in this book was rather depressing.

That said, this IS an excellent work, which can sit proudly on my shelf alongside my other table-shaking naval references. The color section, featuring a number of fold-out reproductions of Admiralty draughts, including a stunning gatefold depicting HMS Valiant in 1939, is an added bonus. Some nagging flaws in visual presentation aside, this is one of the finest naval histories I've read in a long time.

6 of 6 people found the following review helpful.
Excellent continuation of the series and a must have for ...
By MrP
Excellent continuation of the series and a must have for any naval enthusiast, as are the prior volumes.
I wish it would have had something on HMS incomparable and British attempts to sell capital ships after WWI or inquiries received.
The section on the export market is most informative as nations sought the ultimate weapon of the era.
It covers the entire era of the battleship with great insights as to what went into a design, the politics and economics etc.
Well worth the wait and I look forward to there being a continuation of the series into aircraft carriers.

8 of 8 people found the following review helpful.
Publisher errors mar an outstanding book
By jerry heulitt
While an outstanding book with all the information you could want design, development and service of British capital ships. I have the same complaints as a follow reviewer:
1) The line drawings were small and extremely hard to read - the contrast was poor - this was in contrast to all his U.S. Navy books.

2) The captions, like in his "Naval Firepower" book were extremely small and again, hard to read.

The very light contrast drawings should not have gotten by the publisher. For the price of this book I would have expected better.

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Kamis, 07 Juni 2012

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  • Published on: 2006-10-26
  • Binding: Paperback

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Selasa, 05 Juni 2012

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Catherine Marshall Classics: 'Adventures in Prayer', 'Light in My Darkest Hour', 'Something More' v. 2, by Catherine Marshall

  • Sales Rank: #777866 in Books
  • Published on: 1998
  • Format: Import
  • Original language: English
  • Binding: Paperback
  • 704 pages

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